The Accountant review more action-packed than you might expect Thrillers
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And then both of them are targeted for death, leading to car chases, shoot-outs, fisticuffs and much choreographed violence. An action movie doing its action movie thing would be fine – what else do you go to an action movie for? But The Accountant has that deadly action movie vice, pretensions to cleverness and emotional weight. Flashbacks, and then more flashbacks, and then still more flashbacks fill in an extensive and tedious backstory, which includes not only Chris’s childhood struggles with his autism, but gangland hits, prison time, parental death and on and on. Tragic backstories are parceled out to all, even the treasury agents, and the conclusion of the film devolves into a series of overdetermined twist revelations. This treasury agent has a surprising history with Chris, that villain has a surprising history with Chris, this autistic girl who helped Chris finish a puzzle when he was a child has a very important role.
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And soon she’s annoyed, as Simmons dredges some stuff up from her past to effectively blackmail her into tracking “the accountant” down for him. All of the negative reviews about 1-800Accountant are beyond true. I paid $4,000 for their services because I told them “I need an accountant that also does international sales too” to later be told by plethora of their accountants they do not file GST or VAT and have not heard of them! If you owe the government anything or do any quarterly taxes, they do not file for you. I have occurred late fee penalties due to their lack of quarterly filing.
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When a mysterious bad guy, Braxton (Jon Bernthal), pops into the movie, you don’t know what to make of him until the very end, and even then he has no place. Ms. Kendrick’s appearance invites the possibility of a romantic connection with Christian, but the movie, remaining true to its austere, ultramacho, deeply misanthropic ethos doesn’t allow it. It goes very far south, with two plot reveals that are among https://bookkeeping-reviews.com/accountant-reviews/ the most ludicrous that I’ve experienced in quite some time. The worse of the two twists is made genuinely hilarious by the cutaways to Lithgow watching things unfold on his home security cam monitors and looking in disbelief—echoing the likely expressions of the audience. In any event, it certainly DOES succeed in being more “exciting,” say, than 1981’s “Rollover.” But excitement isn’t always positive.
- The story takes a giant leap forward, and the grown-up Christian is an accountant working out of a nondescript office in an Illinois strip mall.
- In scenes where doctors are consulted and tests conducted, “The Accountant” feels like a solemn, pretentious tutorial on the subject.
- Christian uncooks it, as they say … and then very nasty assassins are dispatched to kill both Christian and Dana.
- The timeline of “The Accountant” is so arbitrary that the subplots seem shuffled like pieces of an unfinished jigsaw puzzle.
- In my experience, Robert was extremely disorganized, non-communicative and unprofessional.
- Yet, I have to make my own accounts with each state controller, make my own payment (the processing, not financing), and constantly ask tedious questions.
The screenplay, by Bill Dubuque, is so determined to hide its cards that when the big reveal finally arrives, it feels as underwhelming as it is preposterous. And Mr. Affleck, despite a meticulous performance, never uncovers a glimpse of his abused character’s humanity beyond Christian’s carefully delineated symptoms. Christian kills a guy who looks a bit like Vice mascot and rapper Action Bronson, in a scene that is far and away my favorite in the movie.
The Accountant review – more action-packed than you might expect
Turns out that Dana, one of that firm’s accountants, played by Anna Kendrick—doing, as she did in “Up in the Air,” fine work in a Non-Romantic-Romantic-Interest role—has discovered a discrepancy. Christian uncooks it, as they say … and then very nasty assassins are dispatched to kill both Christian and Dana. Early in the film, the young Christian’s parents learn he is on the autism spectrum. In scenes where doctors are consulted and tests conducted, “The Accountant” feels like a solemn, pretentious tutorial on the subject. His parents break up after disagreeing about his treatment, and daddy (Robert C. Treveiler) takes over and trains Christian so he can fight back against bullies.
Chris’s brother appears in a denouement so on-the-nose I and the person sitting next to me both groaned aloud. There’s quite a bit of stuff going on here, and for a good while “The Accountant” percolates on its multiplicity of plot threads even as it keeps adding to them. As it happens, the “accountant” that the Treasury agents are looking for is up to quite a bit more than providing tax relief for rural dwellers.
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And it’s a message on which this entertaining but somewhat disingenuous thriller shamelessly piggybacks. The equal opportunities afforded to Christian Wolff (Ben Affleck), a high-functioning autistic maths genius, include whiplash martial arts skills and sharpshooting prowess. Clearly it’s easier to sell a film on explosive action sequences than it is to provide an insight into the mindset of an individual on the autistic spectrum. And then we are whisked to the Department of The Treasury, where avuncular bigwig Ray (J.K. Simmons) delivers some exposition on a mystery man—the fellow played by Affleck, as we already know. “He’s their accountant, an accountant, ‘the’ accountant,” Simmons says, sounding like he’s setting up an episode of “The Blacklist.” The junior officer he’s telling all this to, played by Cynthia Addai-Robinson, is intrigued.
In its grueling scenes of martial-arts training, “The Accountant” suggests how cruelty in the name of teaching self-defense can destroy a child. The victim, Christian Wolff (played by Seth Lee as a boy and Ben Affleck as an adult), is mercilessly disciplined by his father, a sadistic, controlling military psychologist. It turns Christian, who is autistic, into a grim automaton mumbling gibberish and prone to tantrums. When dissatisfied with himself, he beats his legs with a wooden stick and practices other forms of self-torture. Eventually he runs wild like a cyborg on a shooting spree. Its protagonist, Christian Wolff (Ben Affleck), is autistic.
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Kendrick does her best with a relatively small role, bringing a modicum of wit and energy to the lugubrious script. Despite all the tropes working against them, she and Affleck have a subdued, sweet chemistry, which might have carried a romantic comedy version of The Accountant, if only the film-makers had been willing to give it a chance. “Sooner or later, difference scares people.” The Accountant puts that sentiment in the mouth of a military man (Robert C Treveiler) explaining the tough ways of the world to his autistic, bullied son. But it could as easily be said by the director Gavin O’Connor, who has put together a drama so familiar and formulaic that even the most timid viewer will be comforted. Who knows why Mr. Affleck, looking appropriately dead-eyed and miserable, committed himself to this laborious ultraviolent brain tease of a crime thriller. The movie, directed by Gavin O’Connor (“Tumbleweeds”), makes little sense.
- A very effective hitman/financial-malfeasance-avenging-angel played by Jon Bernthal shows up.
- Early in the film, the young Christian’s parents learn he is on the autism spectrum.
- The one variation from Hollywood action default is the relationship with accountant Dana Cummings (Anna Kendrick), which instead follows the Hollywood formula that disabled people don’t get to have happily-ever-after romances.
- His parents break up after disagreeing about his treatment, and daddy (Robert C. Treveiler) takes over and trains Christian so he can fight back against bullies.
A very effective hitman/financial-malfeasance-avenging-angel played by Jon Bernthal shows up. Please help us protect Glassdoor by verifying that you’re a
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to let us know you’re having trouble. The story takes a giant leap forward, and the grown-up Christian is an accountant working out of a nondescript office in an Illinois strip mall.
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In addition to that, he never was able to submit a single monthly profit/loss report on time. He would go days without responding to very serious concerns. Not once did he ever apologize https://bookkeeping-reviews.com/ of any of his mistakes or chronic tardiness. Working with Robert was very stressful and I would not recommend working with this man, especially not his bookkeeping service.